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• Andreeva, A., 2021. Conservation of a Twentieth-Century Tapestry Treated with a Flame Retardant: Two Panels from Ina Golub’s The Spiritual Journey (Doctoral dissertation, Fashion Institute of Technology, State University of New York).
• Barro, L., Sanderson, K., Centeno, S.A. and Saunders, B., 2020. The exhibition and characterization of seven salted paper prints. Journal of the American Institute for Conservation, 59(3-4), pp.171-185.
• Beltran, V. 2019. Advancing Microfading Tester Practice: A report from an experts meeting organized by the Getty Conservation Institute, March 13-15, 2018 https://www.getty.edu/conservation/publications_resources/pdf_publications/pdf/Advancing_MFT_practice.pdf
• Beltran V, Druzik J, Andrew Lerwill A, & C Pesme. 2014. An Examination of Light-Induced Color Change in Anoxia and Hypoxia Using the Microfading Tester. In Research and Technical Studies Specialty Group Postprints, vol. 5.
• Beckett F, Holden A, & GD Smith, 2019. Seeing the light: Research, conservation and exhibition of a 1980s daylight fluorescent painted leather jacket designed by Sprouse and painted by Castronovo, JAIC, 58(4), 233-247, DOI: 10.1080/01971360.2019.1614290
• Chua, L., and G.D. Smith. 2016. Characterization of Haku Maki prints from the “Poem” series using light-based techniques. Heritage Science 4: 25. https://doi.org/10.1186/s40494-016-0096-z
• Burgio, L., 2021. Pigments, dyes and inks: their analysis on manuscripts, scrolls and papyri. Archaeological and Anthropological Sciences, 13(11), pp.1-16.

Vincent Laudato Beltran, Christel Pesme, Sarah K. Freeman and Mark Benson “Microfading tester” [pdf]